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Ramón Marcos-10.jpg

I started in the world of dance when I was nine years old in Albacete, my hometown, to be able to express my inner world through my body. At the age of 18 I moved to Madrid to study the Degree in Pedagogy of Visual Arts and Dance, while dancing in the Madrid Chamber Ballet under the artistic direction of my beloved teacher Martha García and in 2014, thanks to an educational project in At the Joan Miró Special Education College, I discovered the true value and meaning that dance has for me: the ability to break any capacity-building scheme.

 

In 2015 I combined my master's studies Attention to Diversity and Educational Support with my artistic training in dance and theater. That year, I started working as an interpreter at FRITSCH COMPANY for the production "Mesa para Tr3s" and I started in Psico Ballet Maite León Foundation as an inclusive dance teacher, institution where I gave numerous dance workshops and developed my own projects such as "BÚNKER" a contemporary dance piece created together with Adrián López that was selected to participate in the IV International Beta Public Contest and that, after a review, was re-enacted at the National Dramatic Center of Madrid in 2019.

 

In 2016 I decided to move to Paris for professional reasons, where I have worked in different companies such as BE TOGETHER or Regards en Ligne and musical comedy shows such as Mickey and The Magician, combined with international travel thanks to research projects such as SHIFT! Together with the companies Northern Ballet (UK) and Misiconi Dance Company (Netherlands) and, in 2020, I finished my doctoral studies receiving my research "Teacher training for the professionalization of dance in diversity contexts in Spain" the outstanding qualification Cum Laude.

 

Currently, I develop my professional work in the field of interpretation, direction and pedagogy of dance in institutions that respect my artistic and human values, in processes where diversity is considered a necessary and summation value and, as well, I continue my line of research, imparting lectures and writing articles on capacitism in dance and the transformation of dance thanks to the emergence of inclusive artists and companies from the twentieth century.

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